The cover blurbs on this dense book gushed with praise: "an avant-garde
epic" said one, "terrifically stylish, acrobatic and insidious", said
another. Well, says I, I couldn't finish the damn thing. I hate not
finishing books, I feel (particularly in this case what with all the
encomiums) I'm lacking something. But, here's the thing: I had no
sympathy for any of the major characters, and all the long bits of
exquisite prose (it was exquisite, no argument there) finally bored me
stiff. Too much navel gazing for me. Set mainly in pre- and post-Great
War England, and in Germany, the juxtaposition of the minutae of daily
life and the coming great political upheavals, still didn't capture me.
Serge, the protagonist (I suppose), is a coke-sniffing adult...he was a
nasty little boy who pulled the wings off moths. I didn't like him as a
kid, as a young aviator in World War I, or as a post-war adult. I didn't
care much for his family, either, although some of the early scenes at
the family home/school for the deaf/silkworm farm were spookily perfect.
There are whole worlds in the book, and perhaps if I'd had more
patience I could've entered them. But I couldn't, so with apologies to
Mr. McCarthy who I am sure is a fine, fine writer of fine books that
just aren't for me, the book gets a 3.
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